Thoughts on… Golden Globes 2016

And here we are, post-Golden Globes, trying to digest the night. Ricky Gervais hosted again, and was “tastefully controversial’ as Zach put it and The Revenant stole the show. There’s a lot to talk about, so we’re just going to jump right into it.

Lady Gaga: Actor?

Yes, she is an actor, and apparently she is pretty good at it. I did not watch this season of American Horror Story (I stopped after the third season), but I personally find it pretty cool she was able to transition to the silver screen so faultlessly. Well done, Gaga.

The Martian: Mission Accomplished

Matt Damon won Best Actor, and the film won Best Picture: Musical or Comedy (though I don’t really agree with it being categorized as a comedy). Ridley Scott did not get Best Director, which would have only sweetened the pot, but regardless, fans of the film cannot help be anything but thrilled. You can check out our review of the film here.

Yo Adrian! I won a Golden Globe!

The surprise of the night for me was Sylvester Stallone winning Best Supporting Actor for Creed. Stallone keeps up the “tough guy” demeanor yet shines most when he flexes his character’s vulnerabilities, making this victory well deserved, but still surprising since I pegged Mark Rylance to win. This could make for a very interesting Oscar race.

Denzel wins the night

Denzel Washington was honored for his life long work with the prestigious Cecil B. DeMille Award. He’s won two Golden Globes and been nominated for seven, making this is award very well deserved. Denzel is a boss and don’t you forget it.

Jamie Foxx throws shade…

…when he announced Straight Out of Compton as the winner for Best Original Score (someone’s obviously mad it wasn’t nominated) and then apologized for pulling a Steve Harvey. Oof. It was pretty funny though.

The Revenant takes home the gold

Winning Best Actor, Best Director, and Best Picture: Drama, The Revenant absolutely dominated this year and deservedly so. It was a fantastic film, an absolutely visceral experience if you will. That being said, I was very surprised at what happened, largely due to…

The spotlight being stolen from Spotlight

This was the movie everyone was expecting to take control of the evening. I thought it would win Best Director (Tom McCarthy), Best Screenplay (McCarthy), and Best Picture, but ended up losing to Iñarritu, Aaron Sorkin for Jobs, and The Revenant, respectively. This was my favorite movie of the year, so hopefully it can pick up momentum going into the Oscars.

 

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The Martian

Hi everyone! Hope you had a great Thanksgiving. We’re back with our first full review in a long time with The Martian. Starring Matt Damon, Jessica Chastain, and Chiwetel Ejiofor, the film is rated PG-13 for some strong language, injury images, and brief nudity.

From IMDB: “During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring “the Martian” home, while his crewmates concurrently plot a daring, if not impossible, rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney’s safe return.”

8 out of 10

It’s been a while since I wrote one of these, so please excuse the rust. Anyhow, I saw a funny quote on Twitter about The Martian that I thought I’d share; “From Saving Private Ryan, Interstellar, and now The Martian, America has spent a lot of money trying to retrieve Matt Damon”. While I think this does speak to Damon’s incredible star power, it also reflects an audience’s thirst for adventure, which The Martian has plenty of. Now I’m not saying it is comparable to Saving Private Ryan or even Interstellar, but it is definitely a very entertaining film that has deserved the praise it’s received.

It has an innate similarity to Gravity that’s impossible to avoid simply because they are both space survival films. However, beyond the basic plot, there is absolutely nothing else they have in common. The Martian is fun— rather than being solemn and dramatic, it’s lighthearted, almost cutesie. While I definitely appreciated this change of tone, I wasn’t sure I loved the writing of the humor. It was trying a bit too hard for me. 

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In addition to the heavy incorporation of humor, I thought there wasn’t enough depression on Matt Damon’s part. For a guy who’s stuck on Mars, I didn’t see enough of a struggle. There were moments of frustration but nothing more, no sustained moments of gloom and hopelessness, which is part of what made Gravity so powerful. While I do feel like this made The Martian a fun movie, it also made it less rewarding.

That being said, Damon did do an excellent job overall. It takes a lot of ability to drive a storyline like he does in this film, while also remaining genuine and entertaining. Unlike Bullock in Gravity, however, there is a supporting cast that gives the film a new dimension. Rather than Damon being by himself, his struggle affects many other people around him. This isn’t just a story about Mark Watney, it’s a story about the entire NASA program, and this angle makes the film more enjoyable. Chiwetel Ejiofor, Jessica Chastain, Jeff Daniels, and Kate Mara round out a stellar cast that allows for there to be multiple interesting characters that are each important to Watney’s return home.

Matt Damon portrays an astronaut who faces seemingly insurmountable odds as he tries to find a way to subsist on a hostile planet.

And how can I write this without mentioning Ridley Scott, director of Alien, Blade Runner, and Gladiator. He had the difficult tasks of 1) Distinguishing his piece from similar films (like Interstellar and Gravity) and 2) managing the slower pace of the film, since it takes place over almost two years. Fortunately for us, he passed both tests, while also making it an aesthetically pleasing film. It’ll be interesting to see whether Scott can get that Oscar win this year— he’s 0-3, and wasn’t even nominated for Blade Runner or Alien.

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This movie certainly has its flaws, but all in all, I came out of it having thoroughly enjoyed the experience. It was funny, charming, and straight up just an interesting movie (it helps I’m a nerd, but either way…). It doesn’t have the depth of Gravity nor the poignancy of Interstellar, but it has got its own personal flair that makes it great in its own respect.
~Vig

9 out of 10

If you like the nitty gritty of space travel (The math, the science, the play-by-play engineering and tinkering and strict physical laws) but don’t particular enjoy Sandra Bullock’s heavy breathing, Gravity wasn’t for you. If you like the nitty gritty of space travel but aren’t into the “McConaissance” (“Murph! Murph! Murph!”), Interstellar wasn’t for you.

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If you like the nitty gritty of space travel now though and want to get in on the recent swell of realistic science fiction, your film has arrived and its name is The Martian. Let’s ditch the thesaurus here: it’s an awesome movie. It’s smart but accessible; slick with polished visuals and humorous while maintaining its sky-high stakes. Above all that, it’s just plain fun.

The setup of this film is relatively routine in comparison to the hefty, complex stories of some of its peers: Matt Damon’s character, Watney, is stranded and must be rescued (Again. Hollywood must really hate our favorite Harvard alum.). Armed with a few months of resources and a thumping 70’s playlist (Think Guardians of the Galaxy’s soundtrack) one of his fellow crewmembers left behind, Watney has to simultaneously survive and signal back his group for an impromptu rescue.

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The story is actually not quite deliberately paced; it’s just a fun hodgepodge of dilemmas on the Red Planet that force out Watney’s inner-Macgyver for the first hour or so, in fact. But the movie’s snappy dialogue (whether credit belongs to the novel or the screenwriter, I’m not sure) and splendid looks keep everything rolling relatively briskly; simple tasks like sprouting a few potatoes or roving along the rocky planet with a busted plutonium core become enthralling challenges.

I found myself marvelling most at all the cinematic angles here. A film adaption of a book warrants its existence when it finds some new way to tell the tale and that quality is definitely present here. Mr. Ridley Scott takes advantage of everything from webcams to security cams and eases from basic shots to innovative angles throughout the entire film. In short, in a relatively bare atmosphere, everything just looks intriguing.

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Damon, of course, impresses as the headstrong Watney in a bit what plays out as a one-man show. I have to give credit to any character that moves through his “how-to”s and explanations with such a relaxed attitude that surviving on a desert planet seems, well, doable. He doesn’t carry this trek alone though: the whole star-studded cast delivers (Donald Glover and Jeff Daniels specifically come to mind here, not to exclude any of the other talented actors).

If you’re a fan of the disco genre (God and Spotify know I am), I’m sorry, but the retro style takes beating in one of this film’s funniest running jokes. Otherwise, I really can’t sum up the best quality of this movie better than one of my friends coming out of the theatre: “It was a ton of fun. I’ve really missed having a good fun movie.”
~Zach